Jordi Alcaraz

Calella, Barcelona, 1963
The artist draws an invisible line between visual poetry and conceptual projection, and proposes to the viewer an unprecedented, surprising and metaphorical relationship with the world. Multidisciplinary hybridisation, in which the speech of Alcaraz, emerged from the classical plastic tradition, meditating on volume, language and time through the use of certain materials such as water, glass, mirror, pigment, book or the stone.
Transgressive artist, creator of a game of confronted looks, of material tensions and perforations that allow us to glimpse hidden and magical spaces that transcend the optical exclusivity.